Like other cultural content industries, the Canadian music industry
has been profoundly affected by the digital revolution. While music is more
accessible than ever before, sales of compact discs (CDs) have dropped sharply.
The revenues generated from digital downloads or online streaming services have
not made up for the decline in revenues from CD sales.
The many players in the music industry – composers, performers,
producers, distributors, publishers, record companies, live music venues and festival
and concert promoters – face diverse challenges in adapting to the new digital
environment.
To better understand these challenges and to provide the government
with recommendations for strengthening its support for the Canadian music
industry, the House of Commons Standing Committee on
Canadian Heritage (“the Committee”) decided to undertake this review.
On 5 December 2013, the Committee adopted the following
motion:
That
pursuant to S.O. 108(2), the Committee undertake a review of the Canadian music
industry, over the course of no more than 7 meetings, in order to: a) inform
Committee members of the details and impacts of the government support on
Canadian music, as well as on the creators and entrepreneurs who create and
distribute music in Canada; b) determine how funding is allocated; c) to
establish whether the government support is meeting the objectives laid out for
it, and to make recommendations to the government on how it might strengthen
support for Canadian music, and report its findings to the House.[1]
On 27 March 2014, the Committee agreed to hold seven additional
meetings on the review.[2] In total, the Committee held 14 meetings on
the study during which it heard from 82 witnesses and received 15 briefs.
The Committee decided that its report would focus on the following
five themes:
- Digital distribution and streaming
- Music education
- Music tourism
- Current funding – future investment
- FACTOR/Musicaction
Chapter 2 of this report gives an overview of the current situation
of the Canadian music industry and summarizes the testimony given by witnesses
on the five themes. Chapter 3 looks at the outcomes proposed by witnesses on
each theme. Chapter 4 presents the Committee’s recommendations.