:
Madam Speaker, if we really want to understand where we are, we have to look at where we started.
Bill came out of the work of the Yale commission, which worked on this for nearly a year and a half. The commission was created by my predecessors. It travelled across the country gathering input from experts and stakeholders, including groups representing people in music, visual arts, television and film.
The Yale commission received close to 2,000 briefs and submitted its report in early 2020. We took that input from the consultations and feedback from a group of leading Canadian experts, including the former director general of the CRTC, Ms. Yale, and started working on Bill . We worked hard to do what the previous overhaul of the Broadcasting Act in the early 1990s did when the Conservatives modernized it. The act was created to protect Canadian artists, organizations and businesses from the American cultural invasion.
We all know that the American cultural invasion is powerful and that it can steamroll any culture on the planet. I have discussed these issues with ministers in Europe, Asia, Africa and Latin America. Many countries worldwide are currently dealing with the issue of cultural sovereignty.
This is the spirit in which we tabled Bill . At the time, I was the first one to say that the bill could be enhanced, improved and amended. I would remind members that the last time the Broadcasting Act was amended, the government of the day overlooked one very important issue: the ownership of Canadian broadcasting companies. The act was amended in the early 1990s, and the Governor in Council issued an order in council a few years later, in 1997, to protect the ownership of Canadian broadcasting companies, because this had been overlooked.
All of this is to say that, when we propose a bill, we do our best to make sure that it represents the best of our intentions. I would like to remind all of the members in the House that Bill was praised by cultural organizations across the country. According to many, its passage was a historic event.
[English]
Not only was the tabling of the bill saluted from coast to coast to coast, but the National Assembly of Quebec voted unanimously in favour of Bill . It said that we need Bill C-10 and that it is a good piece of legislation. Among other things, it would help the French language, French producers, French artists and French composers to better perform in this environment. Another feature of Bill C-10 is that it would also further help and support indigenous creators, indigenous artists and indigenous producers in ways the previous incarnation of the bill unfortunately did not do.
This bill is not about content moderation. The CRTC, in its decades of existence, has never said to Shaw, CBC or TVA that they can do one program but cannot do another program. The CRTC has never had that power.
I heard one member talking about the sweeping powers of the CRTC. The CRTC is not above Canadian laws. It must comply with our bodies of laws and regulations, and it is a regulator. We have many regulators in different sectors, and the CRTC, from that point of view, is no different than existing regulators. What Bill wants to do is to ensure web giants pay their fair share.
As I have said many times in this House, as well as at the heritage committee, the independent, professional civil servants at Canadian Heritage estimate that, by asking web giants to pay their fair share, we would be adding revenues in excess of $800 million a year for our creators, artists, independent producers and musicians. That figure is an estimate, not an exact figure, as we would have to adopt the bill and implement the regulations to know exactly how much it would be.
I want to point out that, initially, when the heritage committee started working on the bill, things were going really well. The committee was able to go through roughly 20 amendments at every committee meeting. What has been really challenging to understand is the Conservative Party.
By and large, we have four parties in this House that recognize the need to modernize the Broadcasting Act and agree on the goals. We do not agree on everything, but between the Greens, the NDP, the Bloc and us Liberals, I think there is vast agreement on what needs to be done.
Frankly, I am trying to understand the position of the Conservative Party on this, as it has been a moving target. Initially, the Conservatives criticized the bill for not going far enough because we were not going after YouTube or integrating these really important companies in the bill, so we changed it. Then, all of a sudden, they changed their minds. It was not good enough. Not only was it not good enough, but they disagreed with their initial position.
Then they started talking about this idea that somehow the bill would lead to censorship, which was proven wrong by the independent professional civil service of the justice ministry. The deputy minister came to testify at the heritage committee to that effect and produced analyses that showed Bill did not go against the Canadian Charter of Rights and Freedoms. In fact, there are elements within Bill and the CRTC's own laws that state that the CRTC has to abide by the Charter of Rights.
Because of that, the Conservatives claimed that it was an infringement on net neutrality. We tried to explain what net neutrality is and what it is not. Basically, net neutrality is about telecommunications. It is about the hardware and the ability of people to have access to networks. Bill does not do that. It is not about telecommunications at all.
I think we are now faced with the fact that, because of the Conservative Party, we have lost months of work on Bill . For every month that passes, artists, creators, musicians and technicians in this country lose roughly $70 million per month, so we must proceed with the adoption of Bill . Artists, musicians and organizations across the country are asking us to do so.
:
Madam Speaker, I am very pleased to be speaking today. Earlier, I listened to the Minister of Heritage talk about Bill , which he tabled, and I almost choked several times.
He began by pointing out that it was important to look back at the past to understand where we are now. I will give another version of the facts for everyone out there watching, and I would invite everyone to fact-check me by consulting the unedited transcriptions, the “blues”, of the various discussions at the Standing Committee on Canadian Heritage. People will be able to check if what I am saying is accurate and well informed and if it reflects everything we have gone through during the saga of Bill C‑10 leading up to the present day.
The minister was right to say that he had all the resources he needed to table Bill C‑10 for more than a year and a half and garner a unanimous response from the outset. The minister is confusing things, talking about web giants and insinuating how he will handle them and make them pay their fair share. The ultimate goal was to produce an act that ensures a level playing field between digital broadcasters such as Disney Plus, Spotify and Netflix, and conventional broadcasters such as TVA, CBC/Radio-Canada, Global and CTV.
The minister even chose to ignore the important elements that everyone wanted to see, including copyright issues and CBC/Radio-Canada's mandate, explaining that he divided these challenges into three parts and was only introducing one in the House of Commons so that the Standing Committee on Canadian Heritage could work on it.
When he introduced the bill, the committee worked diligently and co-operatively to improve it. This bill was clearly imperfect even though the minister had had a lot of time to draft it with his experts. More than 120 amendments were proposed by all parties. Surprisingly, these amendments were moved not just by the Conservative Party, but also by the Green Party, which had been given authorization to move them, the Bloc Québécois, the NDP, Liberal members of the committee and even the government. In fact, the government and the Liberal Party moved almost 30 amendments, not to mention all the amendments to the amendments along the way, to try to address all the shortcomings of this bill.
As the minister pointed out, the committee's study of the bill was moving along relatively well, which I can vigorously and honestly confirm. We even worked with the minister and his staff, who were telling anyone who would listen that the Conservatives were slowing down the process. That was completely false. All the committee members even agreed to do a preliminary study and use that evidence in the committee's official study, to avoid holding up the work.
At no point in the legislative process was the bill delayed, despite what the minister and his aides implied. I am saying so in all honesty, and I challenge everyone to take the time to read all the speeches and everything leading up to that infamous Friday when the minister, surreptitiously and without warning, withdrew clause 4.1 that he was proposing to add to the Broadcasting Act. This made the bill altogether different by including social networks, which had originally been excluded.
Why do I say that? It is because, when we did our job in good faith as Parliamentarians, each party had the opportunity to call witnesses to testify about various aspects of Bill . That gave us the opportunity to obtain as much information as possible to do the best we could, based on the knowledge of every member and staffer, to formulate proper opinions during our study of the bill in order to improve it. That is our job as legislators, of which I am extremely proud.
The problem is that the left social media out of the original version of Bill C‑10. Furthermore, despite the minister's assertion from the get-go that it is a historic bill, to my knowledge, only one organization has said that. The other organizations highlighted the bill's good parts and said that it was indeed time to modernize the act and to align the way we deal with digital with the way we deal with what we call conventional broadcasters. However, I met with all the organizations the minister mentioned, and every one of them pointed out several frightening provisions in Bill C‑10.
The Minister of Canadian Heritage said that the Conservatives delayed and filibustered. I am sorry, but it was not the Conservatives who did that. The Conservatives have merely given a voice to a number of organizations, individuals and experts who wanted to point out the flaws in Bill C-10. The minister can go ahead and play his partisan games in the run-up to an election to try to scare everyone into believing that the Conservatives do not support the cultural community. However, it is all complete and utter nonsense, pure theatrics, a show worthy of our , who is a great stage actor.
The heritage minister should stop with the games, because nobody is against culture. On the contrary, we are against censorship, against this attack and the way the minister undermined freedom of expression one Friday by removing section 4.1, which was supposed to be added to the Broadcasting Act.
That is when we began what could indeed be described as filibustering or slowing down the committee's work. We are talking about a maximum of three weeks during the six-plus years the Liberal government has been in power. Those three weeks have allegedly been catastrophic, but the Liberals are filibustering in many other committees with regard to the corruption scandals they were involved in, whether we are talking about the former justice minister, SNC-Lavalin, the WE Charity or the Standing Committee on Health, where we have been requesting access to the vaccine procurement reports. The Liberals have definitely done their share of filibustering.
Why have we been filibustering for approximately three weeks? The heritage minister was right. Let us give some background on all of this. It is important to understand it, so that people know how we got to where we are today, muzzled by the Liberals with the support of the Bloc Québécois.
By amending the bill one Friday afternoon, the heritage minister set off alarm bells all over the place. During the weekend, law experts and university professors sounded the alarm, telling us to look out because the government was doing something that would undermine freedom of expression.
What did the Conservatives do? We just asked to hear from the heritage minister again and get a legal opinion from the stating that the rights guaranteed in the Canadian Charter of Rights and Freedoms were not violated by the removal of clause 4.1.
In response, the Liberals objected incessantly for more than two weeks until the member for moved a new version of the motion asking for exactly the same thing we had proposed, which was to have the justice and heritage ministers come explain the situation and answer our questions, as well as an opportunity to hear the other side of the story from experts who had concerns about Bill C‑10.
They ended up appearing, and we were finally able to put an end to the committee's three-week-long standstill. That is the truth about the delay that has the minister up in arms.
I have to wonder whether the really wants to pass Bill , because the reality is that the work of the House will be over in just 10 days' time. When the bill is passed by the House at third reading, it will have to go to the Senate. The Senate will have to examine the bill, although 40% of the amendments will not even have been discussed by the Standing Committee on Canadian Heritage. It is pretty preposterous to hear the minister lecturing us, given his behaviour.
Earlier, the minister said that some 30-odd organizations from across the country had highlighted the importance of the bill for the cultural community. They are right, it is an important bill for the cultural community, but that does not release us from the obligation to make sure we protect freedom of expression. I can already picture the minister pointing out that the Minister of Justice tabled his report with his experts. I am sorry, but what he tabled was an explanatory document, which was not in the motion we had presented.
We did not get any answers to our questions, and people started to wake up. The committee heard from former CRTC officials including Timothy Denton, CRTC commissioner from 2009 to 2013, Konrad von Finckenstein, CRTC president from 2007 to 2012, Peter Menzies, the CRTC's vice-president of telecommunications from 2013 to 2018, Michel Morin, the CRTC's national commissioner from 2008 to 2012, and Philip Palmer, legal counsel at the Department of Justice and senior counsel at the Department of Communications from 1987 to 1994. The heritage minister never names them, but all those individuals said that what the minister was doing made no sense.
Peter Menzies went as far as to say that this was a full-blown assault on freedom of expression and the foundations of democracy. He said it is difficult to understand the level of hubris or incompetence, or both, that would lead someone to believe that such an encroachment on rights can be justified.
When the minister attacks the Conservatives, he is also attacking all those individuals, not to mention the thousands of Canadians who support us and have said they want us to keep up the pressure on the minister about his bill and his encroachment on their rights.
These are facts, and I have not even mentioned Michael Geist, who is very often referred to as a professor emeritus of law at the University of Ottawa. His expertise is so sought after that even the Liberal government supports his research in this field. He was one of the strongest critics of the Liberal government's attitude, and the Bloc Québécois's as well since it supported the Liberals' gag order. Imagine: a gag order that has not been used in 20 years, that the Conservative Party never used during its 10 years in power, a House of Commons gag order that the government imposed on a committee when the House leaders keep telling us that committees are independent every time we question them.
Given what the Liberals just did to the Standing Committee on Canadian Heritage, they can never again say that a committee is independent. This is something unique. Even when people used this measure in the past, they granted a minimum of 10 hours to work on the document in question. All we were given was five hours.
This law professor, Michael Geist, is not alone. There are others from other universities. I do not have the documents with me, but I have quoted them several times. People can go and check.
I therefore want to reiterate that, when the minister attacks the Conservatives, he is attacking all those who spoke out via social media, press releases, written correspondence, speeches and interviews with the media and who said that what the minister was doing did not make sense.
Does this mean we are against culture? No, absolutely not.
Does it mean that the minister made a mistake with his bill? The answer is yes.
If the work had been done properly to begin with, we would not be where we are today. It is because of all the delays that we are dealing with this mess, which will certainly not ensure a level playing field between digital broadcasters and conventional broadcasters.
My NDP colleague's question to the minister was entirely justified. That is what happened. Those are the facts.
Back when we started studying this bill, the government made a big show of saying that this was to be a partnership, so it is pretty funny that the opposition parties did not get so much as a phone call to let them know that clause 4.1 was being removed from the bill. That was the event that triggered this crisis.
No other conversations about collaboration raised problems when they were in the Liberal government's interest. I cannot talk about them because they happened in private, but I was involved in those conversations several times.
It is sad that things have come to this. It is sad that the minister is now stooping to partisan behaviour and attacking Conservatives over this file. As I said, we are just speaking on behalf of all these industry stakeholders, the ones who wanted to protect net neutrality and freedom of expression and avoid these flaws that will almost certainly be challenged in court.
The Canadian Radio-television and Telecommunications Commission now has more powers, even though former CRTC commissioners and chairs say that giving the CRTC that kind of power is not a good idea. I am not kidding.
At the beginning of his speech the minister talked about $70 million a month, which was an approximate amount, with the calculations planned for later. People deserve to be told the truth. The CRTC now has nine months to tell us on what percentage it will base the calculations, because no one knows. The only response from the minister is that if the CRTC uses the same calculations as conventional broadcasters, the amounts will be somewhere between $800 million and $1.1 billion, which leaves a margin of $300 million. We do not know anything about it, however, and neither do we know whether the CRTC is going to use the same rules. Once the bill passes we will no longer have any control over this.
That is the current reality of this bill. Time allocation was imposed, and over the past week we have been forced to hold many votes on amendments without those watching us having access to the text of nearly 40% of them. Imagine that scenario, where the only thing the audience heard was the number of the amendment, preceded by the abbreviation of the party proposing it and followed by the question on whether members of the committee were for or against it. What transparency. The Liberals said that the people would have access to the text at the end, when it was all over. It will be too late by then and we will not be able to move forward.
The minister says that we delayed the process, but I would have him know that the committee agreed to hold as many meetings as the chair wanted. We even held meetings every day of the break week, when we were meant to be working in our ridings. Some meetings were extended to four or five hours, on barely an hour's notice. That is the truth, but the minister never mentions that when he talks about his bill.
That really stings, because these kinds of politics hurt us all. The session is ending in a few days. We know full well that the Liberals will call an election before the House comes back. All the minister is trying to do here is play politics. He wants his bill to make it into the election platform, since he knows perfectly well that he will not get it passed in time.
The Bloc Québécois helped the Liberals out of some hot water. I do not recall ever seeing an opposition party support a government gag order. The Bloc members are proud of it. They are boasting about supporting a gag order. It is crazy to think about it.
At times, I found myself wondering what was going on. The minister was weaving a story that did not make sense and that was looking like a horror story for a while there. We have tried our best to do our jobs as legislators, but it has unfortunately been extremely difficult.
The minister, through his work, has attacked net neutrality. He has created a breach. It may not be a big breach, but it is a breach nonetheless. It will be challenged, that much is clear. On top of that, the CRTC is also being given increased powers. That is the reality.
If people listening right now think that my story is not true and that I lied, if they think, as the has implied in the House, that I misled people, I invite them to go back and look at the record, because it is all there.
People know that that is how it happened. They know that everyone started out in good faith, until that Friday when the Minister of Canadian Heritage removed clause 4.1 without any warning. Everyone knows what happens when something is done on a Friday. It means they want to slip it through quietly. After all the theatrics to try to make people believe we do not support the arts community, which is not the case, because it is censorship that we oppose, here is what the Liberal government did instead: It censored us by imposing time allocation.
:
Madam Speaker, I will now get back to the premise of my speech, the 2019 campaign in which every Bloc Québécois candidate made a serious promise to voters, a commitment made solemnly and with conviction: Whenever we are in the House, we will make decisions, take a position and support bills and motions that defend Quebeckers’ interests and values.
Even today, it is still the question we ask ourselves when it comes time to choose which direction to take, either here or in committee. A time allocation motion, closure, a gag order, whatever we may call it, there really is no good word for it and we find it chilling, because freedom of speech, parliamentary privilege, is fundamental. It is something we deeply respect and will defend at all costs, like we did with this morning's motion, which just squeaked by.
The Bloc Québécois has fervently defended this idea since its inception, 30 years ago tomorrow. I think that we supported a time allocation motion more often in the past two weeks than in all the 30 years of my party’s existence.
Sometimes, situations force us to step on people’s toes to defend our values, and sometimes that is justifiable.
The parliamentary toolkit contains another tool that is just as questionable, in my opinion, and many of my colleagues probably agree with me. It is the filibustering of debates, either here in the House or in committee. The filibuster consists in droning on endlessly, taking up debate time to prevent a vote or to prevent something that is against our convictions from happening. At that point, the other move that is just as questionable, time allocation, becomes equally justifiable.
In recent months, we have supported time allocation for Bill and for medical assistance in dying, an extremely sensitive issue on which Quebec has reached a consensus. People were waiting for the bill. They were waiting for a decision from the House of Commons. They were enduring unbearable suffering and they wanted the freedom to decide when they could end it.
At that point, we asked ourselves the same question. We asked ourselves whether we were going to accept closure if it reflected the will, the values and the interests of Quebeckers. Since it was a simple question, and the answer was yes, we believed we were duty bound to do whatever was necessary to have these bills and motions adopted.
Bill is also important for businesses. It is important for the economic recovery, since it will allow entrepreneurs in our regions to get back on their feet after the pandemic. Obviously, we would have preferred that the democratic process take its normal course but, when it is clear that someone is trying to delay the process by every means possible for reasons that are often purely ideological, in order to please their base or collect funds by plucking at the heartstrings of certain groups of Canadians, we believe that it is our duty to counter these manoeuvres using another parliamentary tool. We believe that, in those circumstances, it is reasonable.
That was the case with Bill . How did we get here? My colleague from talked about that earlier. It is true that, at first, when the bill was tabled, we found a lot of holes in it. There were more holes in it than there are in Swiss cheese, like in a brand new paint by numbers. It took six years' preparation to come up with a bill and there was still an enormous amount of work to do.
I do not want to lay blame on anyone, but I think that, from the moment the bill was introduces, the opposition parties were unanimous in thinking that there were too many things missing for it to be acceptable. The industry was happy because a bill was finally being introduced to amend the Broadcasting Act, which had already been obsolete for several years and which was enacted in 1991, at a time when we were recording songs broadcast over the radio on four-track cassettes.
Since we were considerably behind, it was not surprising that the industry applauded the tabling of a bill to review the Broadcasting Act. It should have been reviewed 20 years ago, it should have been reviewed 10 years ago; it should be reviewed on a regular basis.
We soon realized how much work there was to be done. In a way, when a member of the House decides to vote in favour of a bill so that it can be studied in committee, that member is making a commitment to say that certain elements of the bill are not very good and need to be worked on. That work falls to us. It is unfortunate, but we have to do it. We have to improve Bill C‑10 because the cultural industry, our media and the field of broadcasting in Canada have drastically changed. Today's broadcasting industry is nothing like what it was in 1991, when the last version of the Broadcasting Act was passed. I was working in radio at the time. When I walk into a radio studio these days, in 2021, I am completely lost and I have to be shown around because I do not know what anything is. Everything is different today, except for the mike, which has not changed much.
When we agree to work on a bill in committee, we are committing to making improvements. That is how we ended up with more than 100 amendments. At first, there were about 120 amendments proposed by the NDP, the Green Party, the Conservatives, the Liberals and the Bloc Québécois.
Before proposing these amendments, we consulted people. We heard from people who were interested in sharing their concerns with us. A lot of people wanted to talk about the Broadcasting Act, because it affected a huge number of stakeholders, including community radio and television stations, broadcasters, cable companies, artists and online companies. A lot of people wanted to share their concerns and remind us to include certain things in the bill.
Independent broadcasters also depend on online companies, as well as conventional broadcasters, such as the traditional cable companies, to broadcast their content. In short, there were a lot of witnesses to listen to. We came to realize that this would be a monumental task. There is a reason there were 120 amendments: because there was a lot of work to do. We did it.
I met with representatives of the cultural industry. We exchanged many messages, emails and calls and held many meetings. These people represent more than 200,000 artists, creators, artisans, authors and other people who earn a living from the cultural industry, which has significant spinoffs. Canada's cultural industry generates billions of dollars in economic spinoffs. That is no trivial matter, and we cannot let an industry like that down. We love culture, the arts, our artists and our distinct culture, but we also like money. This is a profitable industry that does not cost us a fortune. Far from being a millstone dragging us down, we benefit from it. It sets us apart and identifies us. There were 120 amendments, but they were serious amendments. They were important. We worked hard, but then came the events of late April.
Did we do things the best way possible? In hindsight, that is a reasonable question. Was it right to eliminate clause 4.1? Maybe not. Is the result what the Conservatives say it is? It is not.
Bill C‑10 contains provisions that clearly protect social media users. As important as it was to protect social media users, it was also important to regulate social media platforms, which play a role in broadcasting and are involved in broadcasting. Social media has an impact on the broadcasting system. YouTube is the largest online music broadcaster in Canada.
We would have had to tell Apple Music that it was going to be regulated, but that YouTube was not because it also has a social media service. That makes no sense. Apple Music would have been right to tell us off, saying that we had done a horrible job and that we needed to go back to the drawing board.
We had to be able to regulate social media for their broadcasting activities, while protecting their users. That is what is clearly stated in the bill, and that is what will come out of the revised Broadcasting Act in the end.
There was never any question of limiting Quebeckers' and Canadians' freedom of speech. Freedom of speech is a value that Canadians of all stripes hold dear. Let us not compete to see who loves freedom of speech the most. It is fundamental for us, for Quebeckers and for Canadians. Of that there is no doubt.
What party in the House would have blindly voted for a bill that would actually limit freedom of expression? It does not make sense. It is merely a question of ideology. It is merely an attempt to fan the flames, to offend sensibilities. Perhaps it will pay off, I do not know.
When the problem arose in committee and the question was raised, the Conservatives said that we absolutely had to hear from the and the . These ministers had to issue a charter statement. They had to see what was going on. We needed a guarantee from the minister that the bill complied with the Canadian Charter of Rights and Freedoms, and if we were going to do that, we should hear from experts. The Conservatives wanted to invite experts back.
We were wasting time on a bill when we already did not have much time to spare. We wondered what we should with that. Having reflected on it, I am convinced that what is in the bill will protect freedom of expression and social media users, in other words individuals, people. We decided that if there was any uncertainty, we needed to get to the bottom of it, and we had a duty to do so. It was early May, and we were running out of time, but no matter, we had to get it done, and that is what we did. We heard from the experts that the Conservatives wanted us to invite. We heard from law professors and people who believe that this bill goes against this provision of the Charter of Rights and Freedoms and who claim it jeopardizes freedom of expression. I want to listen to all sides before I form an opinion.
However, we also heard from experts such as Pierre Trudel, a professor of law who is renowned across the country. He, too, is a leading authority, and he had a completely different opinion. We heard from Ms. Yale, the chair of the major study that resulted in the Yale report almost a year and a half ago. She also testified and shared her views. Ms. Yale also did not think there was a threat.
There is nothing wrong with expressing doubts and saying that some experts have a certain view. However, at some point, we must respect the democratic process. We listened to everyone and showed good will and good faith. Other experts expressed different views before the committee. Through a vote, the committee decided that we would finally move forward and that there was no threat. The democratic process can come down on either side and we must respect it. Our Conservative colleagues decided to continue filibustering the committee by giving interminable speeches, and we saw things get out of hand.
I was really disappointed by the comments made by the member for in the Lethbridge Herald. She described Quebec artists as being a niche group who are stuck in the 1990s and unable to adapt, so they have to make a living off government grants. I spent 30 years working in the media, in radio and in television, surrounded by artists, being part of their community. If I had had more hair to begin with, I think whatever is left would have fallen out. That took my breath away. I cannot believe that we did not hear a heartfelt apology in the House, either from the leader of the official opposition or from the member herself. I found her comments, which have been denounced by arts organizations, beyond sad and terribly unfortunate.
When we started studying Bill C‑10, I decided that I would do exactly what the Bloc Québécois had promised to do during the 2019 election campaign in Quebec. My colleague from Jonquière once told me that if I really wanted to connect with and be attuned to my constituents' realities, I should lace up my shoes, hit the streets and listen to what my constituents want me to support. That is exactly what I did.
I have been in contact with the cultural sector from the beginning, especially in Quebec, but also, by extension, Canada, since the associations that represent the artists and the industry in Quebec also represent the industry across Canada.
We also listened to francophone communities outside Quebec, which were also needing the protections offered by this bill. We listened to them, we moved forward and we proposed amendments to protect francophone and Quebec culture, and most of these amendments were accepted.
We worked hard to improve this bill. As we were approaching the end of the road, or in this case, the end of the session, and we had made some major gains for the cultural sector, we knew that it was not the time to give up and call it a day because there would not be enough time.
This industry suffered during the pandemic. It has been waiting for a bill, a review of the Broadcasting Act, for far too long. Remember what things were like in 1991. We did not have high-speed Internet. We could not always connect. We had to listen to a sound like a fax machine for about seven minutes. When we managed to connect, we could not just download a photo. If we wanted to do that, we had to start the download the night before in order to see the photo in the morning. We were far from streaming music, downloading videos and watching shows online like we do today. The Broadcasting Act has been completely out of touch with reality for a long time.
As I was saying, we do not have much time left to finish working on this bill, which is so important for the cultural industry, the cultural community, broadcasters, independent broadcasters and creators, as well as for the unique identity that we have here with our culture. Whether we are talking about Quebec or English Canada, we are not the same as the United States and there are marked differences between our culture and American culture.
What should we do? Are we going to allow the web giants to rake in billions of dollars when we are not asking them for much? Are we going to say that it does not matter if they do not produce our shows, that it is a free market and that we should let them set up shop here with their billions of dollars and their means of production and let them do what they want? Come on. That is completely ludicrous.
The Yale report mentioned this last year, and it is just as relevant today: We must act quickly. When action is urgently needed, we must do what it takes to get results and achieve our goal.
The Bloc Québécois made an unusual but necessary decision in supporting time allocation for Bill C‑10 in committee. It is a rare measure and I hope we will not have to take it again, but it was necessary. We made a commitment to work for Quebec, the cultural community and our media. We are also committed to keeping our culture alive. In Quebec, we have been in the habit of fighting for our culture for quite some time. That is perhaps the difference: We have been rolling up our sleeves for a longer time now. We will not give up the fight.
Contrary to what our Conservative colleagues think, this bill is essential and it is urgent. We owe it to our cultural community, as well as to Quebec and Canadian media.
:
Mr. Speaker, I am pleased to rise in the House today to speak to a bill that is important to me. It is not so much the bill itself, but what it will do and the sector it will affect. This bill could really change things in the future.
Before speaking about the principles and general thrust of Bill , and as we are officially discussing at this time a supermotion to expedite the business and the course of events in the House, I would like to come back to the question I asked my colleague from Drummond a few minutes ago, that is, how did we get here?
How did we arrive at a bill that nevertheless affects our cultural sovereignty, our ability to produce Quebec and Canadian cultural content, and thus an entire industry representing billions of dollars, thousands of jobs and people affected in every region of Quebec and Canada, such a crucial and important industry that we had failed to address for a very long time?
Not only is the bill behind schedule, but so is the government in its management of government business in the House and in parliamentary committees. We have seen it all with Bill C‑10. I have been doing this work for years, but some of these things are unprecedented, including the twists and turns, bad management, communication problems, breaks, questions, notices and many testimonies. I have seen contradictory things and rather odd processes, including this thing done by the Conservatives, which I have rarely seen: systematic filibustering in order to waste the committee's time, including on Conservative amendments. When a member proposes an amendment they usually want to see it passed because they think it will improve the bill. However, the Conservatives had the nerve to filibuster their own amendments. It is rather odd.
Things are coming to a close. Nobody wants an election, but everyone expects one. That means we need to get a move on because we might be on the campaign trail come August or September. That is up to the Liberals.
We could come back and work on the bill. There is a chance that could happen, but all signs point to the Liberals being in a hurry. Now they want to move so fast that they shut down a parliamentary committee. That is just the fourth time in more than 150 years this has happened. This time, they are not limiting debate to 10 hours but to five.
In order to make the best possible use of those five hours, the NDP and other parties agreed to schedule more meetings so the committee could meet more often than originally planned. Last week, instead of meeting twice, the committee met five times, if memory serves. Even so, here come the Liberals with their supermotion to expedite matters once again.
I can only conclude that the government dragged its feet. It said all kinds of things about how important culture and the cultural sector are, but none of that was true. Bill was full of holes, things were not clear, the himself was often unclear, and the government did not put Bill C‑10 on the agenda early enough and often enough for it to make any headway.
It is all well and good to mollify artists and tell them we love them, that we support them, that this is important and the bill must be modernized, but now we have a bunch of amendments at the last minute that we did not have a chance to study, even though some of them would have been relevant and should have been included in Bill C‑10.
This is the reality we often face at the end of a parliamentary session. It is too bad. If the Liberal government had been serious about culture and cultural sovereignty, it would have done this long before now, and not just because the Yale report was released in 2018. Bill C‑10 could have been given more attention during House proceedings, but the Liberals chose not to do so.
Why did the Broadcasting Act need to be overhauled? It is because, over time and with changes and advances in technology, it has become completely outdated and obsolete.
In my opinion, it is important to remember that the traditional broadcasters are required by the CRTC to contribute to the production of cultural content, whether Quebec or Canadian, in French or in English. We will talk again about the importance of having works, films, and programs in French. The ecosystem of broadcasting content has changed a lot over the past few years.
One of the things the member for talked about was Internet access. Some people will remember that it was much harder to get online 10 or 15 years ago. Today, our system is completely imbalanced and unfair, which means the cultural sector is hitting a wall. This is putting the cultural sector in jeopardy. Year after year, cable companies are losing subscribers. Why? Because the technology has changed and the traditional broadcasters are being overtaken by digital broadcasters, who are becoming more prominent and taking up more space. That was the case before the pandemic, but the pandemic has shown us that platforms like Netflix, Disney+ and Crave have taken over.
Let me be clear: The big digital broadcasters, social medial companies and web giants do not contribute to the collective investment that is needed to create Canadian or Quebec cultural content in French or English. That is the problem. That is what the Conservatives and Liberals have been dragging their feet on for years. The Broadcasting Act should have been amended a long time ago.
The NDP is obviously in favour of making new players contribute. They are not so new anymore, but they are big. Traditional broadcasters contribute money to a fund to create Quebec and Canadian cultural content, but that fund is getting smaller and smaller. These new digital players need to contribute so that the industry gets more resources to create new works that will tell our stories, the stories of what is happening in our communities, cities, regions and our villages.
This is so important to the NDP that it was one of the issues we campaigned. I will read an excerpt from our 2019 platform:
Most Canadians now get their news from Facebook, and Netflix is the largest broadcaster in the country - but these web giants don't pay the same taxes or contribute to funding Canadian content in the same way that traditional media do. Canadian film, television, and media is up against a tidal wave of well-funded American content - and the Liberals have refused to take action to level the playing field [this notion is very important].
That's why...we will step up to make sure that Netflix, Facebook, Google, and other digital media companies play by the same rules as Canadian broadcasters. That means paying taxes [which is not in Bill C‑10. It is in the budget, but it seems we will have to wait until next year], supporting Canadian content in both official languages, and taking responsibility for what appears on their platforms, just like other media outlets....
New Democrats will make sure that Canadian talent can thrive on both digital and traditional platforms - here at home and around the world. We think that artists should be able to earn a decent living from their art, and that government has an important role to play in making sure that a diversity of Canadian voices tell our stories.
As members can see, we already knew that the act had to be modernized. Thirty years after it was passed, the act is outdated.
It is true that there is a real and well-founded appetite for such a long-awaited change in the cultural sector, whether it is television, film or music. YouTube is the platform most used for music, so it is really important to include social media platforms like YouTube on the list of entities that can be monitored and regulated.
However, we should not be regulating users, citizens who post their own videos on this platform. We need to target the professional use of this platform for commercial purposes.
I will come back to the questions that arose in the course of the Bill saga. To ensure the longevity of our cultural ecosystem, the NDP was obviously prepared to work in good faith to improve and enhance the bill, based on the premise that the old existing act had outlived its usefulness because it is jeopardizing this industry, our capabilities and some jobs.
What was the NDP looking for, exactly? We wanted a broadcasting system that remains essentially Canadian, with Quebec and Canadian ownership. We wanted Quebec and Canadian productions that are easily identifiable and accessible. We wanted local shows and content. That is something that we examined very closely.
We also wanted a broadcasting system that clearly recognizes the importance of the French language in this ecosystem. Unfortunately, the Liberal government had a hard time signing an agreement with Netflix a few years ago. We wanted to prevent that sort of thing from happening again, because we never got any real guarantees about the percentage of French-language content that would be produced under the agreement between the Liberals and Netflix.
We also wanted an equitable system without lowering our standards. Just because Canada is calling on web giants and digital broadcasters to participate financially should not mean that traditional broadcasters get a free pass or we will be no further ahead in terms of increased revenues for our artists and cultural production.
We wanted to ensure that there were indigenous language productions for indigenous peoples and for first nations. That was one thing we were watching for and wanted to find in Bill . Those are the principles that guided us in this work.
Now we are at the end of the process with a flawed and yet well-intentioned bill. This may create a dilemma for us as members and parliamentarians. We wanted to take our time to do the work properly, plug the holes and ensure that the bill could not be challenged in court.
The government has to accept a lot of responsibility for the misunderstandings and legitimate concerns people had about their freedom of expression, a topic I will now get into.
Is freedom of expression being threatened? There was much talk of that, many people reacted, many people called and wrote in and there were articles and editorials on the topic. Experts are divided on the issue, but one group is smaller than the other. The member for talked about that earlier. In Quebec, we just have to look at Pierre Trudel and Monique Simard, who are strong voices and feel very strongly about this.
It is also important to know that there are already guarantees in three provisions in the act, in sections 2, 35 and 46, that protect citizens' and ordinary users' capacity to publish and broadcast content on social media.
Obviously, the Canadian Charter of Rights and Freedoms still exists. We asked the Minister of Justice for a charter statement on two occasions, first before and then again after the removal of proposed section 4.1. In both cases, we were told that the bill was consistent with the charter.
To make sure that this important issue is properly dealt with and that we have all the possible guarantees, the NDP is also asking the government for a Supreme Court reference. That way, we would ensure our citizens' rights to freedom of expression are protected in the bill.
There are the sections of the bill, the overwhelming expert opinion and the two charter statements from the Minister of Justice. In addition, we are asking for a Supreme Court reference, to make sure that users cannot be regulated by the CRTC. That is very important: The CRTC will regulate broadcasting companies, not individuals.
I believe a member also mentioned it, but if I thought there was any possibility that my children or teenagers would be targeted by the CRTC or restricted in their freedom of expression on social media and online, I would be greatly concerned and I would not let that happen.
Why is it so important to take care of the cultural industry, our artists and our artisans? We may want to do it for economic reasons because this industry represents thousands of jobs and these sectors generally work well. Things were harder during the pandemic and it is more difficult for the cultural industry to get out of the crisis. What is more, things are not consistent across the cultural industry. Some sectors are doing well, while others are struggling. I am thinking of festivals, all the performing arts, the theatres and concerts. These sectors will need a little more time to get back on their feet. With regard to television and movies, activities continued, but we need to ensure that our system is sustainable so that we are able to continue creating our television shows and movies, telling our stories and hiring our local creators, artisans and technicians. There is therefore an economic argument because the cultural industry is an important economic driver.
However, the cultural sector is about more than just economics. It also brings us together as a society. It forges an identity, a vision of the world, and it also brings elements of beauty, tenderness and humanity into our lives. That is what makes the cultural sector different from any other economic sector. It changes who we are as human beings and how we see the world. The art that is produced says a lot about a society, whether we experience it through television, dance, paintings, performances, books or poems. Culture can change the world.
Allow me to read an excerpt of a poem written by Jacques Prévert.
The sun shines for all mankind, except of course for prisoners and miners, and also for
those who scale the fish
those who eat the spoiled meat
those who turn out hairpin after hairpin
those who blow the glass bottles that others will drink from
those who slice their bread with pocketknives
those who vacation at their workbenches or their desks
those who never quite know what to say
those who milk your cows yet who never drink their milk
those you won't find anesthetized at the dentist's
those who cough out their lungs in the subway
those who down in various holes turn out the pens with which others
in the open air will write something to the effect that everything turns out for the best
those who have too much to even begin to put into words
those whose labors are never over
those who haven't labors
those who look for labors
those who aren't looking for labors...
those who simply rot
those who enjoy the luxury of eating
those who travel beneath your wheels
those who stare at the Seine flowing by
those whom you hire, to whom you express your deepest thanks, whom you are charitable toward, whom you deprive, whom you manipulate, whom you step on, whom you crush
those from whom even fingerprints are taken...
those who scatter salt on the snow in all directions in order to collect a ridiculous salary
those whose life expectancy is a lot shorter than yours is
those who've never yet knelt down to pick up a dropped hairpin
those who die of boredom on a Sunday afternoon because they see Monday morning coming
and also Tuesday and Wednesday and Thursday and Friday
and Saturday too
and the next Sunday afternoon as well.
:
Mr. Speaker, I will be splitting my time with the member for .
Last week culminated in a devastating assault on democracy as MPs were forced to vote on amendments that were not made public and vote on sections of the bill without any discussion or debate. There was zero openness and zero accountability, and it was absolutely wrong.
How did we get there? Earlier in the spring the Liberals brought forward an amendment to their own bill, which removed a section that originally protected the content that individuals would post online. When that section was removed, of course it caused disarray at committee and a great discussion ensued.
That was the case because Canadians deserve to be protected. They deserve to have their voices contended for and their freedoms established. When that part of the bill was taken out, of course the Conservatives went to bat. The Liberals did not really like that very much, so they moved something called time allocation in the House of Commons, which limited debate at committee to five hours.
This meant that hundreds of pages of material was only given five hours of consideration, after which time members of the committee were forced to vote on the bill, including its amendments and subamendments. Again, those were not made public and no discussion was allowed.
It was not exactly democracy in its finest state. It was a sham, and not how good legislation is meant to be created in Canada. This is not democracy.
Once again, the bill is now in the House. Although the Liberals have not moved time allocation, they have moved to have our debating time restricted again.
From here the bill will go to the Senate where it will be discussed further. My genuine hope is that the Senate will have the opportunity to examine this bill and hear from witnesses. In particular, it is my hope that the witnesses it brings forward include creators from digital first platforms because those individuals have been left out of the conversation despite being impacted to the greatest extent.
Let me back up and explain what this bill does for a moment. There are two things. The first is, as the government argues, it levels the playing field between large streaming companies and traditional broadcasters. The second thing this bill does in fact do, however, is censor the content we place online.
With regard to levelling the playing field, the minister claims this is about getting money from web giants, but if he is concerned about GST being paid, that is already taken care of because there is already an initiative starting in July that will require companies, such as Disney+, Netflix, Spotify, Crave, etc., to start paying GST, which takes care of levelling the playing field.
However, Bill goes far beyond just levelling the playing field. It is backed up by many lobby groups that are pushing for a 30% Canadian programming expenditure requirement as a share of revenue per year. What this will do is not simply increase the cost to these large streaming companies, it will actually pass that cost down to consumers. According to experts, costs are actually expected to rise by about 50%.
Canadians already pay some of the highest rates in the world, so with Bill , they can expect to be taxed even more. This of course will have a huge impact on them with respect to money coming out of their wallets. Furthermore, the bill will impact the content Canadians can post and access, which brings me to my second point on censorship.
When I talk about censorship, I talk about the government getting involved with respect to what one can and cannot see and post online. I am talking about the government putting an Internet czar in place.
Peter Menzies, the former CRTC vice-chair, stated Bill “doesn’t just infringe on free expression, it constitutes a full-blown assault upon it and, through it, the foundations of democracy.” That deserves consideration. It is quite the statement.
Bill is in fact a direct attack on section 2(b) of our charter. Under this section, Canadians have the right to speak and to be heard. Much of that speaking takes place within our new form of the public square, the Internet.
The bill before us would infringe upon the ability Canadians have to post online and to express themselves freely. Furthermore, the bill would infringe upon the rights that viewers have to access that content online, which means that the right to speak and the right to be heard will be infringed upon if the bill passes.
Let us talk about viewers for a moment. Viewers go online in order to access the content they want. They go on YouTube perhaps looking for a video on how to fix a bicycle chain, or they may want to look up information having to do with the war of 1812. They are looking for content that is going to fit their needs.
However, if the bill is passed, they would go on YouTube, and the government would determine what that need might be. The government would dictate the type of material that they would be able to access. The government would dictate this based on how “Canadian” the material is.
The government would curate what we can and cannot see by bumping things up or down in the queue, which means that the content a viewer really needs to access might be pushed back to page 27 of a YouTube search whereas, normally, right now, according to the existing algorithms, that content would probably be found on page one. The government would actually infringe upon a viewer's ability and right to access that information, because it is going to curate and determine that, no, a viewer does not want what is on page 27, but rather what the government is putting on page one. It wrong. It is dictatorial. It is anti-democratic.
Canadians know what they like. They know what they want to watch, and they know how to find it. Platforms such as YouTube are curated in such a way as to point people to more of the content they desire. When a viewer searches for content, YouTube gives it, and then it might suggest more that is similar to it. However, that would not be the case going forward. Instead, the government would steer viewers in the direction that the government wants them to go, and it will do it through the power of its Internet czar.
I will talk about creators for a moment. They are amazing. In Canada, we are punching above our weight in terms of what creators are able to produce, and I am talking about individuals who are using non-traditional platforms in order to gain an audience. They share their talent, skill and ability with the world. Ninety per cent of watch time of Canadian content comes from viewers outside of Canada. That is amazing.
I think about Justin Bieber, and about how much popularity he has gained on the world stage. He started out on YouTube, a non-traditional platform. However, under Bill , Justin Bieber probably would not have risen to the top, because the algorithms that the government would impose through its Internet czar would relegate him to the bottom. Why? Well, it is because his content just would not be Canadian enough to make the cut. Again, it is wrong.
Let us also talk about diversity. This government loves to celebrate diversity, but let us talk about the indigenous digital first creators or those who are members of minority groups. Instead of being able to make a name for themselves and follow the protocols that are already in existence, they would come under government scrutiny and, again, the Internet czar would determine whether or not their content can be accessed.
Now, members might ask who the Internet czar is. It is none other than the CRTC, which is the regulatory arm of the government. Who makes up the CRTC? I can tell members that the leadership of the CRTC is made up of six white men. It would be six white men who would be determining what type of content is Canadian and what content is not.
They would be determining whether or not indigenous first creators can be accessed or not. They would be determining whether visible minority content can be accessed or not. Six white men would be making those decisions on behalf of those individuals who are putting their content out online and on behalf of Canadians who wish to access that content.
I have not seen legislation this dictatorial since my time of first being elected in 2015. It is wrong and anti-democratic, and it is altogether harmful, not only to creators, but also to the millions of viewers who use platforms such as YouTube in order to access information and engage in the public square online.
It is wrong, and I would ask for Bill to be rescinded, at the bare minimum. When it gets to the Senate, I ask that, please do the due diligence; please research well; and please hear from witnesses who have not yet been heard from, namely the artists.