:
I call this meeting to order.
Welcome to meeting number 69 of the House of Commons Standing Committee on Veterans Affairs.
For the first hour, pursuant to Standing Order 108(2) and the motion adopted by the committee on Thursday, March 9, 2023, the committee is resuming its study of the national monument to Canada's mission in Afghanistan.
[Translation]
Today's meeting is taking place in a hybrid format, pursuant to the Standing Orders. Members are attending in person in the room and remotely by using the Zoom application.
Although the room is equipped with a sound system that performs well, it is possible that audio feedback will occur, which can be extremely harmful to the interpreters and cause serious hearing injuries. So I would ask all the witnesses and committee members to avoid putting their earpieces too close to the mike, which can cause interference, which in turn can hurt our interpreters. So you must pay close attention.
As a reminder, all comments should be addressed through the chair.
Lastly, pursuant to our routine motion, the connection tests were correctly done before the meeting.
I would like to extend a very warm welcome to our witnesses today.
Testifying as an individual, we have François Le Moine, lawyer, and Francyne Lord, public art consultant. By videoconference, we have, from the Canada Research Chair in Architecture, Competitions and Mediations of Excellence, Jean-Pierre Chupin, full professor from the Université de Montréal. From Team Daoust, we have Renée Daoust, founding partner, architect and urbanist, and Luca Fortin, artist and architect.
Allow me as well to welcome some new members who will be taking part in the meeting with us today. We have with us Mr. Boulerice, who is replacing Rachel Blaney, and Mr. Paul-Hus, who is replacing Fraser Tolmie.
I also have my cards so I can inform you when you have one minute left. When I raise the red card, it's like in soccer, you have to stop because you are time is up.
We also have opening statements, and I would like Team Daoust to speak first. Since there are two of you, you may share the first five minutes.
Ms. Daoust and Mr. Fortin, the floor is yours.
Good afternoon, everyone.
My name is Renée Daoust. I am an architect and urbanist and am responsible for Team Daoust, which consists of Daoust Lestage Lizotte Stecker, Luca Fortin and Louise Arbour. We are the winning team of the national monument to Canada's mission in Afghanistan competition, the team that was selected by the jury and the only one that should prevail here.
Thank you for this opportunity to finally make our voices heard and to condemn the egregious lack of ethics associated with the organization of this international-level Canadian competition. We have never witnessed a similar situation in our 35‑year career.
Today I would like to discuss an undemocratic and unfair process, one that was unjust for the veterans and civilians who took part in Canada's mission in Afghanistan. How ironic it is that the government has involved all those military members who were mobilized and sent to defend and establish democracy in Afghanistan in the worst undemocratic process in the history of competitions in Canada. Although the process was a disgrace for our Canadian veterans—whom you instrumentalized by linking them to a sham survey conducted under obscure rules—those veterans were motivated by four major military values, including integrity.
The process was also unfair for the jury. Remember that four of the seven jury members, the majority, were associated with the mission in Afghanistan and its history. The voice of the Afghanistan experts was heard. It was carried by a veteran, a National Memorial Cross Mother, a former ambassador and a historian. The jury performed meticulous work, consulted the technical reports and the results of the sham survey and confirmed that our team was the winner.
You failed to act on the jury's recommendation, thus causing a major breach of contract and waste of public funds. That situation has created a dangerous precedent in the development of public art and architecture in Canada and the management of requests for proposals in general.
We are particularly confused by the way this unfair process, which undermines our democratic traditions, has been endorsed by the Department of Canadian Heritage, the Department of Veterans Affairs and the National Capital Commission. Is this ethically tainted cultural legacy really what we want to promote nationally and internationally and for future generations?
Out of respect for the memory of our veterans, on November 11, the government should make amends, abide by its own ground rules and uphold the democratic process that is fundamental to the history of competitions in Canada.
Thank you.
:
My name is Luca Fortin. I am here as a proud member of Team Daoust, and as the voice of future generations and of an entire community in the cultural and creative sectors concerned about the value that the government attaches to our work, which represents a heritage of the future.
Allow me to reestablish some important facts. The contract documents are clear about the role of the Department of Canadian Heritage. They state that the department is responsible for the design competition and for overall management of the monument project on behalf of Veterans Affairs Canada. The Department of Canadian Heritage cannot shirk its responsibility. The survey, which under the initial rules was to be accompanied by a public consultation, was supposed to provide food for thought for the jury. That's what it did, but it was not supposed to invalidate the jury's selection.
On June 19 last, we were met barely two hours before the official announcement of the selected concept and told that we had won the competition but that the contract would be awarded to another team. We immediately expressed in writing, and reiterated on three occasions, our fervent disagreement with that unfair and unreasonable decision.
We also sought meetings with the two ministers, but without success. On September 15, we sent a letter to the Prime Minister requesting that his government correct its error and act on the jury's decision. We received only an acknowledgement of receipt.
Given this state of affairs, and considering the importance of this matter, we mobilized the key players concerned by this dangerous precedent. We are not just the voice of a team; we also convey the indignation of more than 2,000 stakeholders associated to various degrees with the issue of public art, design and architecture competitions in Canada. Universities across the country have condemned your undemocratic process, artists have submitted a petition, and many letters have also been sent to the ministers concerned.
In closing, the Department of Canadian Heritage must accept its full responsibility in this matter, abide by its own rules and so honour the values that Canada holds dear: respect for democracy, respect for persons, integrity and excellence. While there is still time, the government must prevent the national monument to Canada's mission in Afghanistan from being forever tainted by one of the greatest, if not the greatest, controversies in the history of our country's competitions.
My name is Jean-Pierre Chupin. I am a university architect and holder of the Canada Research Chair in Architecture, Competitions and Mediations of Excellence at the Université de Montréal. I would like to point out that I am speaking as an individual based on my expertise in competition jury practices in built environment fields.
I have been documenting competitions in Canada for more than 20 years. I established the Canadian Competitions Catalogue, an online resource documenting nearly 500 competitions and more than 6,000 architectural, landscape and urban design competitions organized since Confederation. This bilingual library, which is consulted by more than 3,000 users from around the world every month, is supported by the Canada Foundation for Innovation and the Social Sciences and Humanities Research Council of Canada.
I have helped establish an international research network on competitions and have published reference works in the field. I have also sat on the advisory committees for museums and governments. As an adviser to Public Services and Procurement Canada and the Parliamentary Precinct, in Ottawa, I would like to remind you today that many civic and government buildings have been subject to major competitions, starting with the Canadian Parliament in 1858. In addition to that were competitions for the legislative buildings in Ontario in 1880, British Columbia in 1892, Saskatchewan in 1907 and Manitoba in 1913, not to mention the competition for the Canadian national Vimy memorial in 1921, which was one of the symbolically most important in the history of Canada.
The government sought my expertise in the international competition for the block 2 redevelopment of Parliament Hill, which was adjudicated in 2022. The building will house your offices for the next decade. That was the best organized competition I have ever observed, with outstanding representation of Canadians in a large composite jury.
As an academic who assists in training future generations of professionals, I am extremely concerned about breaches of democratic practices that characterized the way the judgment that was reached in the competition for the monument to Canada's mission in Afghanistan was invalidated. All the studies show that, in judging the complexity of highly symbolic and civically important projects, such as public buildings and monuments, a popular vote will never be as reliable, fair or transparent a procedure as a well-organized competition procedure. A competition jury is analogous to a court jury. It represents the diverse range of public interests and works in a rigorous manner.
The jury in the national monument competition was property constituted with representative members of all interests and informed of the many issues at stake. It debated all the proposals at length and reached a consensual judgment on behalf of the collective interest. I did not observe the jury, and, in fact, very few people, not to say no one, had access to the jury's report, which moreover is highly problematical. However, the fact that the government announced to the top team that they had in fact won the competition means that the jury functioned properly.
Now if it became a normative public procurement practice to invalidate competitions or requests for qualitative proposals and to replace them with online voting, no professional would agree to allow his or her proposals to be subjected to anonymous clicks made based on a few images published on a website. You can actually draw an analogy here. What would you say if a criminal court judgment were replaced by an online vote to determine the guilty party? You'd say that was tantamount to a revolting public lynching and the denial of democratic institutions and mechanisms.
I believe I can attest to the concerns of the public procurement representatives with whom I regularly work and who are awaiting your decision to know whether design jury practices will be permanently compromised in future federal and provincial public contracts. The government has a duty to conduct itself in an exemplary manner in all its proceedings and to honour its commitments.
I also believe I can testify on behalf of future professionals and students to whom my colleagues and I speak every day and who constitute a generation of young Canadians who are highly sensitive to ethical and social justice issues. How will we explain to them that, to ensure fairness, a government can establish judging procedures that are representative of all interests and then decide to flout those rules?
In conclusion, in the situation before us, we have reached a turning point in the history of competitions in Canada. Please allow me to appeal to your judgment as parliamentarians: it is important that the jury report be distributed as widely as possible and absolutely essential that the result of this competition be determined in the name of democracy and ethics.
Thank you,
:
My name is Francyne Lord, and I am an art expert. I managed the Bureau d'art public of the City of Montréal for 26 years. I am the secretary of the Commission permanente de l'art public of Culture Montréal and a member of the Comité consultatif en reconnaissance de Montréal, which is responsible for providing opinions on material commemoration projects.
I am testifying before you as an individual with the conviction that my experience can shed some light on the process under way. I have conducted more than 75 public art competitions, many of which were commemorative in nature.
Out of a concern for fairness and to prevent arbitrary choices, the City of Montreal brought in outside experts with recognized experience to select artworks. In all the years I worked there, no jury decision in any City of Montreal competition was ever, at any time, questioned by authorities, who were aware that the process and rules were founded on best practices.
Unlike an artwork destined for a museum collection, public artworks raise other issues. What added value does public art provide for an urban landscape? How does it attest to current creative work and help build a future artistic heritage.
The evaluation of a memorial project such as this one is more complex than any other public art project. Many factors are taken into consideration by the jury, which will pay particular attention, for example, to the way the artist treats the weight of memory and remains sensitive to the pain of the community concerned. In its work, however, the jury also takes into account the moment when the work enters history, since a monument always conveys the values of its time.
Does a citizen responding to a survey judge all that based on 10 lines of text and a few images. Can that citizen analyze all the considerations that have guided the jury's choice?
In conclusion, I want to draw your attention to the consequences of the decision made by the Department of Veterans Affairs to disregard the jury's recommendation. Such a decision undermines the government's credibility with regard to public art. It also leaves traces. It undermines trust in the governance of the highest institution in the country, from which we should expect exemplary practices.
Thank you.
:
Mr. Chair and members of the committee, thank you for this invitation to appear before you.
My name is François Le Moine, and I am a lawyer specializing in art law and president of the Association littéraire et artistique internationale for Canada; I teach art and cultural heritage law at the Université de Montréal, and I am co‑chair of Montreal's Commission permanente de l'art public de Culture.
I am appearing as an individual with no partisan agenda. I simply want to state, together with Jean-Pierre Chupin and Francyne Lord, first, the fact that the jury competition system is the best guarantee of high-quality public art for future generations, and, second, the reasons why the government was in fact bound by the rules that it itself had established.
I have submitted a document entitled, “Design Competition—Request for Proposals, Competition Requirements”. The competition rules state on page 10 that the jury is responsible for “selecting the winning design, based on the combined scores of the jury and technical committee evaluations.“ It also states on page 2 of that document that the contract will be awarded to the winning team.
Under the rules of this competition, the government simply did not have the necessary leeway to award the contract to a team that had not been selected. It is the jury that makes the decision, not a minister.
If the withdrawal from Afghanistan altered the situation to the point where the competition was no longer suitable for the purpose of honouring our veterans, the only solution available to the government was to cancel the competition and organize another.
The composition of the jury has already been discussed. That composition shows that all the necessary competencies were at the table for the jury to make an informed decision. The jury also took into consideration the consultation conducted of the Department of Veterans Affairs, which had a legitimate place within the process. That is doubtless the reason why no scientific survey was organized, because that inquiry was done for advisory, not decision-making reasons.
In addition to being the party that was supposed to make the decision based on established practices and competition rules, the jury was representative of the mission and had the time to assess all the relevant factors.
Its decision was disregarded.
Thank you.
Good afternoon, everyone.
In the national monument to Canada's mission in Afghanistan project, the selection of a team other than the winning team constitutes a dangerous precedent for major federal government procurement contracts. We're used to seeing this kind of thing, but this contract is different because it concerns the arts. Certain individuals may feel less concerned as a result of that. People often go through their daily lives without feeling that concerned about artistic design projects. Getting back to the process, however, this is becoming a major issue for the parliamentarians around this table.
My first question is for Ms. Daoust or Mr. Fortin.
I'd like to know how you felt on June 19 when you were informed that you had been selected by the jury but that the contract would unfortunately be going to another team.
:
We felt disappointed, hurt and outraged that the highest authority in Canada had acted that way.
We thought it was a total injustice. We're very concerned about the federal government's willingness to discredit a democratic process. The fact remains that these are important competitions.
Mr. Paul-Hus, you said it was about public art. That's true. However, it isn't just about that. It's about public part, architecture, the awarding of mandates and the awarding of contracts. It goes further than just the framework for public art and architecture.
At the very least, we're dismayed to see the government legitimize an undemocratic process, which, in a way, constitutes deceit. We really consider that appalling.
:
Basically, the ministers concerned, and the Department of Canadian Heritage in particular, misunderstood their role in the competition.
There's actually a text, amendment number 2 to the first request for proposals, which explains exactly what the role of the Department of Canadian Heritage should have been. That text was included in the contract documents and thus guided the department's behaviour. It states, “An expert jury is being assembled for this competition.” Then it continues as follows, “The Minister of Canadian Heritage, as minister responsible for commemorative monuments on federal lands in Canada's Capital Region, and the Minister of Veterans Affairs, will be jointly responsible for endorsing the jury's selection of the winning design.”
That was the role of the Department of Canadian Heritage. It wasn't to second-guess the jury or to challenge what it did, but rather to endorse its decision to ensure the project was properly carried out.
I can yield the floor to Francyne Lord because I believe that's what normally happens for public art experts.
Thank you to all the witnesses for being here today.
Excuse my French. I will have to ask my questions in English.
I'd like to also take this opportunity to share with all of us that this week is also Veterans Week and that this Saturday is Remembrance Day. I'd like to take this opportunity to share our tributes to all those have sacrificed and served our nation.
Through you, Mr. Chair, I'd like to ask Team Daoust a question.
I understand where the situation is now. Maybe you can share with this committee some insight into what leads your team to participate in the submission of the national monument to Canada's mission in Afghanistan competition.
:
Oh, it's what makes us want to.
Well, in this particular instance, what was quite interesting in terms of the competition was, first of all, the topic itself. It's a very serious topic, the Canadian mission in Afghanistan, and to us that was a very interesting topic.
Second of all, it's an important public commission. It's more than $3 million, let's say, for the the artwork.
There is also the location. It's an exceptional location, on Parliament Hill between Parliament and the War Museum. All of these elements were really interesting to us, so this is why we decided to participate. The topic was so important that we, as a team, because that was the interest of this competition.... It's a multi-disciplinary team that had to participate, meaning architects, landscape architects and the artist, Luca.
Also, because the topic is so sensitive, we connected with Madame Arbour, because of course she understands the mission and so on. Whenever we do a competition, we always want to make sure that we understand the history or the significance. These are civic gestures and they're important gestures, and they will last for a lot of years to come, so we take this very seriously.
The site is exceptional, so we do think as a team that we have a civic duty associated to that, and this is why we were so interested in participating in that competition.
:
To refer to the competition, first of all, the site was a selected one. When we got the documents, when we started the competition, the site had been selected.
We just want to connect with something. It's very clear in the documents that this monument is to celebrate the Canadian mission in Afghanistan, which was composed of veterans, of course, and of civil society. This is what we really understood through Madame Arbour's participation: It's not only the veterans, of course; it's the veterans and civil society.
To respond to your question, because we did hear talking about the veterans and so on, we want to make sure everybody understands what happened at the beginning of this process, which is that the veterans were consulted. Prior to the elaboration of documents, the public and the veterans were consulted, and because they participated, it was built into the competition documents. When we received the documents, their opinion was already integrated within these documents. We want to make sure everybody understands that. It was very clear in all the documents we received. Their opinion was considered, because they built that into the documents. That was the first step.
For the second step, there was supposed to be a public hearing or a public consultation, which is usually how they do it with these types of monuments. We participated in the LeBreton Flats competition and so on, and there was a public consultation, which we always agree with, because there we get the opportunity to present our projects and to explain the subtleties we cannot explain when you only present a document or a video and so on.
This did not happen. Mind you, it was in the rules of the competition.
Instead, the government decided to do a survey, and of course they got responses back. The survey was not dedicated solely to veterans; the public had the opportunity to answer, and the members of the jury did look at the result of that survey, which was integrated in their conclusion when they selected us as the winning team.
:
Mr. Chair, competitions exist because sometimes it's very hard to judge, understand or grasp the complexity of the situation.
Historical competitions are organized whenever something symbolic is involved, as is the case of this monument, but that can also be true of the Dome of Florence Cathedral, the Parthenon and major civic monuments and buildings, as I said. The Parliament of Canada was designed by competition. Competitions were systematic practices in England in the 19t century.
Consequently, competitions are organized every time a situation is complex, involves many issues or elicits contradictory expectations. In the present instance, the veterans must obviously be considered, but also Canadians as a whole and thus, as it were, everyone. As I said, competitions are also organized when budgets are an issue and, in some instances, as a result of technical and siting issues.
So it's all very complex, and opinion poll procedures simply can't provide a clear picture of those complexities by gathering a few “likes”. You could almost say that, in the history of dictatorships, leaders organized competitions to prevent situations from escalating. There are some quite surprising stories of that point of view. It's as though the competition process was the only way to—
Thanks to all the witnesses for being here.
Ms. Daoust and Mr. Fortin, I want to tell you from the outset that I'm sorry for everything that has happened to you. I think you've been treated absolutely unfairly by the Department of Canadian Heritage and by the federal government. My apology will serve no purpose because I wasn't involved in the decision, but I frankly have to say I find it appalling on the part of a great country and an advanced democracy such as Canada
Mr. Le Moine, I'm going to ask you a question. If we were on Tout le monde en parle, this would probably be the killer question. Mr. Desilets started talking about it, but I'm going to go a little further and use stronger language: you said that the ministers didn't have the authority to override the jury's decision. And yet they did.
Is that an illegal act?
:
Quite sincerely, since there's a lot of case law on competitions, it would be hard for me to cite you in actual decision.
However, at the very least, norms and processes are important in a democracy. The rule of law requires that both the governing and the governed abide by preestablished rules under which actors may act knowing what awaits them.
Clearly in this instance, the rules were changed along the way or, at the very least, that's the impression we get. Perhaps the competition could still be redone, but it appears, in the present circumstances, that the most elegant solution for all parties would be to reverse the decision that was made.
:
It's like a court decision.
Following the process, all Canadians must be able to understand why a jury, which operated independently and, normally, discreetly, made its decision. We're talking about a public competition here.
A report exists. I'm sure it exists. We also tried to obtain it and were told that we would only get it in several months, or even a year. In short, it's being postponed.
This document exists, and it explains exactly how the judgment was made, a qualitative judgment on a complex subject. It exists and it must be made public.
:
It represents a lot of energy, particularly in this case because it took one year to develop the proposal. It was done in two stages. First, we had to submit our application. The government selected five candidates and asked all five to prepare a whole series of quite exhaustive documents. We had to prepare drawings, presentation texts, and animation and many other elements. That necessarily takes time and energy, and the competition lasted nearly one year.
Then we were asked to make a presentation. So we made our presentation to the jury, and that was done virtually because of the pandemic. You should know that these competitions are judged solely by a jury, but we always prepare a technical report on our proposal. The technical committee called us back to request details of our proposal for the monument. So we had to work on that as well. Then we submitted the whole entry.
So it requires a great deal of effort. These are obviously projects that we consider interesting and prestigious, but they require a great deal of energy from the team. We are just two representatives here today, but we have a large multidisciplinary committee that includes urban planning designers, architects, landscape architects, artists, advisers, cost experts and so on. It involves major teamwork.
I have five minutes to wrap this all up, whereas we are facing a potential public affairs management scandal.
We're dealing with a private business that can't fight a government. That business is the victim of a decision that makes no sense. However, our committee has a responsibility to raise this issue and move it forward.
It's clear from the testimony we've heard that the department's decision was baseless, particularly since the information that led to that decision—I'm referring to the survey—was completely demolished by Leger Marketing. Jean-Marc Léger completely demolished the survey as absolutely worthless.
I'm a veteran and I support your intervention and your request. I know that things were done based on rules that make no sense.
In addition, and I'm attesting to it here, I attended a meeting of this committee last week at which the Minister of Canadian Heritage, Ms. St‑Onge, denied all responsibility completely out of hand. I was flabbergasted. I couldn't believe it. I hope she has taken note since then and studied the file.
Furthermore, as a Quebecker—we are all Quebeckers here—I want to point out the role played by the former Minister of Canadian Heritage, Mr. Rodriguez, who signed off on the change. So he's part of the equation, and Ms. St‑Onge is aware of nothing.
I want to point out to the committee that it's important to emphasize this because this is the first responsibility of ministers.
Lastly, I would like to go back to the decision. The entire situation is compromised. The competition process clearly wasn't followed.
Mr. Le Moine and Mr. Chupin, you told us that, under competition rules, a minister may not reverse a jury's selection. Can you show me the exact line in the rules that can confirm that?
Let's get this straight: I believe we're dealing with a kind of outright scandal, both for your business and for the process in Canada.
Mr. Miao, I want to add something to the question you asked earlier.
You asked how much time this kind of project would take for a team such as Team Daoust.
There were 7 jury members for this competition. That's a total of approximately 300 hours to put in place and develop the competition. There was also a technical committee. In addition, it wasn't just one firm, but nine others that did the same work.
That's really an extraordinary waste of public funds.
Mr. Chair, as you may suspect, I have a motion to introduce.
I move:
That, pursuant to Standing Order 108(1), the Committee ask the government to produce all e‑mails, memos and other documents, unclassified, exchanged between the various departments involved in the selection of the artist and design team for the national memorial to Canada's mission in Afghanistan, namely the Department of Canadian Heritage and the Department of Veterans Affairs, the Prime Minister's Office and the Privy Council; and that all such documents be received by the Clerk of the Committee, in both official languages, no later than November 17, 2023;
That the Chair of the Committee immediately report to the House that the Committee denounces the government's about-face and lack of respect for the rules in deciding not to award the design of the commemorative monument to the team linking the artist Luca Fortin and the architectural firm Daoust Lestage Lizotte Stecker, which won the competition conducted by a team of experts set up by the Liberal government itself;
And that, as part of its study of the commemorative monument, the Committee add a meeting and invite Mr. Pablo Rodriguez, former Minister of Canadian Heritage, and Mr. Lawrence MacAuley, former Minister of Veterans Affairs, to testify for a minimum of one hour each, within one week of receiving the documents.
This is a very important motion. As I mentioned earlier, we have to shed some light on this matter. Team Daoust doesn't have the resources to do anything else, having already made a major effort.
We have a responsibility here. I repeat: what bothers me most is the process that was used. Once again, the government is making decisions that run counter to what a government should normally do, as it has done in several files over the past eight years. The Liberals do everything a government shouldn't do.
That's why I think it's important that we get to the bottom of this and acquire the documents we need to get a clear understanding of what happened in this matter, which is extremely important.
I think Mr. Desilets' motion is important for two reasons.
The first is transparency. We have to get the documents we need to get to the bottom of this issue and gather the necessary information. All too often, certain departments are not transparent enough. This motion covers the transparency aspect.
The second is the principle of ministerial responsibility. We have to speak to the ministers who were in place at the time and who made those decisions. If we summon ministers who are occupying new positions and who say that they weren't there and that they're sorry, who aren't really aware of what happened and who slink out the back door, we won't get real ministerial responsibility or accountability.
For the moment, the people from all the parties around the stable have spoken. For all these reasons and out of respect for the witnesses we have invited to appear, I request a vote.
[Translation]
Please allow me the time to say goodbye to the witnesses because they may have other commitments, including Mr. Le Moine and Mr. Chupin, who is a professor. Please allow me the time to say goodbye to them. If they want to stay, that's fine. Then we'll continue the discussion.
Members of the committee, in this hour, we will have with us François Le Moine, lawyer; Francyne Lord, public art consultant; and Jean-Pierre Chupin, holder of the Canada Research Chair in Architecture, Competitions and Mediations of Excellence and full professor at the Université de Montréal, by videoconference; and, from Team Daoust, Renée Daoust, founding partner, architect and urbanist, as well as Luca Fortin, artist and architect.
You mentioned documents in your remarks. If you have them with you, I would ask you please to hand them to the clerk so they can be distributed to committee members.
With that, I want to thank you for your presence here in committee.
We will continue the debate.
I see that Mr. Richards and Mr. Casey want to speak.
Go ahead, Mr. Richards.
:
There are a couple of things I want to touch on. One thing I wanted to discuss is very similar to what Mr. Boulerice just had to say, so I won't spend a lot of time on it.
I think it was clear to everybody that there was a lack of due process followed here in this situation. I heard some statements today from some of the witnesses that were, I think, incredibly shocking to hear.
I heard statements about an exceptional lack of ethics by the government, that no artist is going to wish to take part in future competitions, that they've never seen outside experts disregarded, that it will tarnish the government's credibility, that it undermines confidence in the government. I heard that although competitions can be cancelled, in everything they've ever seen, generally the jury's decision is received and then conveyed to those who would put it in place. They talked about people being discouraged from entering future competitions and people being discouraged from being a part of juries. We had a witness say that Canadians need to be told why such a decision was made. I heard a lot of statements today that concern me.
I think what Mr. Boulerice just said was very accurate. The idea that somehow, just because the government changed ministers a few months ago, they can come in and say that they don't really know what happened and avoid accountability for what we're hearing is an incredibly unusual, if not unprecedented, situation in a jury's decision being completely disregarded. Whatever one thinks about the monument that we will have is irrelevant; there is a need for people to follow a process and for the government to follow a process.
From that perspective, I think it is important that we do hear from them, because accountability does rest with ministers who were in place when the decisions were made. We need to follow that line.
Had I not heard the kinds of things I heard today, I might have viewed this motion differently. Hearing those kinds of things and seeing ministers shrugging off accountability because they weren't there at the time the decisions were made tells us that this is a pretty important thing for us to hear.
The idea was put forth by one of the government members that this would somehow make us disregard our current important study that we're doing on women veterans. We have nine meetings left. We have eight meetings left in our study on women veterans. Hopefully, that means we can complete it by Christmas.
I know there are other things. I don't know if there will be supplementary estimates or anything like that, but there's a chance that other things will come up. Even if that were to occur and we're one or two meeting shy of being able to complete it, we could give the instructions to the analyst to start preparing a report based on everything we have heard, which would be 95% of the testimony we will hear. Then we finish the last couple meetings and the analyst can add in from those meetings, and we really wouldn't be delaying at all our ability to have a report.
We're going to hit Christmas. We're going to have six or seven weeks when the analyst can work on the report. He can do that either way. Either way, early in the time period after we come back from that break, we can review that report and have it completed. The report would not be delayed by more than maybe by a couple of days. Given that we've given it such a thorough study, I think taking a couple of extra days to finish a report won't be the end of the world. I think we can still do it the justice it absolutely deserves and also ensure that we're doing this the justice it deserves as well.
If you have ministers coming in and saying, “Well, I wasn't there, so I'm not accountable”, then we need to hear from those who were there.
I'll leave it at that.
:
Thank you very much, Mr. Chair.
The motion we have before us proposes three things: The first is an order for production of documents, the second is that there be a report made to the House, and the third is an invitation to two other witnesses.
With respect to the first paragraph, I believe something should be included there to ensure we are not seeking things that are protected by cabinet confidentiality.
With respect to the second paragraph, I believe it to be premature. In my view, we would be prejudging what's in the documents and we would be prejudging the testimony of the ministers to immediately report to the House that we have reached a conclusion with respect to this matter, so I'd like to propose an amendment to the motion: I move that the second paragraph of the motion be deleted.
[English]
For the second hour, pursuant to Standing Order 108(2) and the motion adopted on Monday, October 3, 2022, the committee is resuming its study on the experience of women veterans.
[Translation]
I wish to inform the members of the committee that the connection tests were successfully completed.
Since we will be discussing our study on the experience of women veterans, it is appropriate to provide a trigger warning, especially in the presence of veterans. I therefore want to inform you that this meeting could be triggering to people who are here and to viewers. We therefore wish to inform you of that fact.
Allow me to greet our guests.
[English]
Our witnesses for the second hour are, from the Royal Canadian Mounted Police, Ms. Jennifer Ebert, assistant commissioner and commanding officer of B division, by video conference; Ms. DeAnna Hill, assistant commissioner, commanding officer of J division, by video conference; Ms. Nadine Huggins, chief human resources officer; and Ms. Joanne Rigon, executive director, executive liaison officer, national compensation services, human resources.
[Translation]
Nadine Huggins will present opening remarks on behalf of the RCMP.
[English]
Madame Huggins, you have five minutes for your opening statement. Please go ahead.
Mr. Chair and members of the committee, thank you for inviting me to join you today.
The Commissioner of the Royal Canadian Mountain Police, Michael Duheme, is unable to be here today as a result of prior commitments, but I am pleased to be able to address the committee on his behalf.
[English]
It is a very important week of remembrance, and first I would like to acknowledge and thank all of those who have served and continue to serve in uniform.
I am Nadine Huggins, and as the senior assistant deputy minister responsible for human resources at the RCMP since May 1, 2022, I am keenly aware of the important work our members perform, often at personal risk, while serving communities and keeping Canadians safe.
Since 2020, I have been leading the development of our people management modernization efforts, along with the creation of our people strategy and our Vision150 equity, accountability and trust action plan and, most recently, the equity, diversity and inclusion strategy for the RCMP. These programs are shifting mindsets, values and behaviours in support of the commissioner’s commitment to a modern, inclusive and trusted RCMP.
[Translation]
I would respectfully note that, as I am in Ottawa, I am speaking from the traditional unceded lands of the Anishinabe nation.
We all work in different places, and, consequently, you may be speaking from the territory of another Indigenous nation.
[English]
I would like you to take a moment to reflect on and acknowledge the territory from which you are working.
I really welcome the opportunity to speak with you about the experience of RCMP women veterans, and I’d like to acknowledge proud and trailblazing women such as our honourable and former commissioner Beverley Busson, who testified earlier, and our recently retired Brenda Lucki, as well as women who continue to serve today in the RCMP, such as the commanding officers who are joining us today.
First and foremost, transforming workplace culture is a priority for the RCMP, including instilling a healthy management culture. Our vision is for a healthy, inclusive and trusted RCMP that our employees, stakeholders, partners and the communities we serve expect us to be and deserve us to be.
Realizing this vision will ultimately enable the RCMP to achieve operational excellence.
The RCMP has undertaken a number of initiatives that address women's unique experiences or concerns in the organization, as well as when they leave the uniform behind to pursue new challenges.
These initiatives target specifically our kit, equipment and clothing; fitness assessments; and developing future leadership that will aid efforts to enhance the recruitment, retention and transition experience of women in our organization.
These efforts have been guided by a body of knowledge about the factors that limit women's willingness to pursue a policing career, similar to those that you would have heard about from the armed forces, and the understanding that many of these same factors result in unsatisfactory attrition and retention rates and poor discharge experiences.
The RCMP recognizes that the barrier to attracting female candidates to policing, aside from the inherent risk of the job, is the culture.
The RCMP is moving deliberately beyond the traditional recruitment response and looking to challenge our practices from an equity perspective. We understand that often the main barrier to engaging talent from diverse populations is the behaviour of the organization itself. The challenge is not to market better but rather to increase the RCMP's capacity to be an employer of choice.
Women and other equity-seeking groups moving within and out of the RCMP and transitioning to civilian life can expect member-centric, personalized and integrated services. We intend to support their needs. To this end, we continue to work with our stakeholders to achieve this.
The RCMP is building internal capacity to work in close collaboration with Veterans Affairs to better position the organization and our retired members.
We've implemented gender-based analysis plus throughout our policies and procedures, as well as in the decisions we take around kit, clothing, and other elements.
The RCMP continues to make inroads as we move to ensure that we are an employer of choice, not just for our members in uniform but also for all of our employees.
Thank you.
:
Thank you, Chair, and thank you to our guests for being here today.
In preparing for this meeting, we get a bit of background information. In this committee, we've heard a lot of valuable information about the experiences of female Canadian Armed Forces veterans. I'm pleased to get the opportunity to speak with you today, because the RCMP Depot is in Regina, which just borders my riding. I have some close friends there and I'm very excited to have you here.
Finding information on the specific experiences of female RCMP members is not that simple. Even academic studies often noted that information on the experiences of RCMP women veterans was simply not found. With this lack of research and information, one of the challenges we are facing when it comes to RCMP veterans is that there's just not a lot of information, so to have you here today is important.
Is that something that should go into our report—the lack of information?
It's Jennifer Ebert. Thank you for having me, Chair.
I think it's important to have an evidence-based approach and to understand that there are vast differences due to the geography and the type of work that RCMP officers do, especially female police officers. I have been in for 26 years. I've been in six provinces and nine postings, all contract policing, and I'm a commanding officer, so I have a very specific view, whereas my colleague DeAnna Hill would have a different view, as would other female officers across the country. That's why I think it's incredibly important to have that evidence base: It's because my experience isn't necessarily others' experiences, since I've obviously been quite successful as an assistant commissioner and a commanding officer for the past six years.
I'll hand it over to DeAnna, my colleague.
Mr. Chair, I would like to know who actually is in charge of the veterans. I also hope that we will hear from some women veterans from the RCMP, seeing that it's quite complicated in terms of how RCMP veterans, but particularly women veterans, as I think we know, were excluded from the Veterans Well-being Act.
How do you compare the services that are available to RCMP veterans with those available to CAF veterans? I think we heard last week that how people are treated while they're serving affects how they are treated as veterans. If the questions on women's health were not asked while they were serving, then they end up having trouble dealing with that.
As well, in terms of work-related accidents, how do you deal with people when there is sexual trauma that clearly is work-related and not an accident? How are you dealing with women who have left your employ traumatized? How do you deal with that? How does that differ? How many veterans file claims with VAC for sexual trauma?
Thank you, Mr. Chair, for the question.
I personally certainly could not recall an instance that I have heard of in the past, and I am one of those people who will soon be a veteran. I have 34 years completed in the RCMP and may likely be on the other end of things in the not too distant future.
I come from a time when our kit looked very different from the way it looks today. There have been significant adjustments made in terms of uniformity. Instead of having female equipment versus male equipment and issued dress, that has all been adapted so that we can select pants or skirts. There are lots of things like that.
The broader issue, from my perspective, is the extensive amount of equipment that a police officer is meant to don on a daily basis. One of the large problems comes into play when most—
:
Thanks very much for the question.
The organization is really quite focused on ensuring that we put all of our policies and our procedures through a gender-based analysis plus review. We started that process with our kit and equipment. As Assistant Commissioner Ebert elaborated, things look very different from the way they looked previously, and that is in part because of the gender-based analysis review we did.
The transformation for women in the organization has fundamentally been about ensuring that we develop leaders from all genders and that we ensure that those voices and those lived experiences are brought to bear as part of our decision-making in all areas. When we talk about transformation in the RCMP and we talk about how it impacts women, it's taking into consideration the recommendations and reviews that have been done on our organization, really taking them to heart and implementing them.
In fact, just recently, the commissioner appointed a new senior ADM responsible for transformation in the organization, whose primary role will be to ensure we implement all of the recommendations that are coming out of the variety of reviews to which the organization has been a party.
I hope I have this right. Please correct me in your response if I don't.
I understand that women RCMP officers are staying for a period of time. It seems pretty stable, but it's not as long as it is for their male counterparts. I think I understood that. Can you correct me in that understanding if I'm wrong?
Also, can you explain the process of collecting data about serving RCMP officers who are women? I'm asking how women-focused information is being gathered, as well as what measurements are being done around women staying in the forces and around women's health outcomes through the period of time in which they serve.
One thing we heard from CAF veterans is that if they don't have information documented for the service part, when they get to the veteran section of their life, they're not getting the supports they require because the documentation wasn't done well.
I'm wondering whether you could talk about what's happening at the RCMP and how that is going.
:
Okay. Thank you very much.
Thank you, Mrs. Blaney.
Before I salute the witnesses, as you said, you have some documents on recruitment, retention and other things. Do not hesitate to send everything to the clerk.
I have a special request from our analyst for the report. We would like to know the number of claims for sexual trauma submitted by RCMP veterans to Veterans Affairs. We would be pleased to receive that kind of information for our report.
[Translation]
Ladies and gentlemen, in this second hour, we have heard from representatives of the RCMP, to whom we now say goodbye.
By videoconference, we had Jennifer Ebert, assistant commissioner, commanding officer, B division; and DeAnna Hill, assistant commissioner, commanding officer, J division.
We also had, in person, Nadine Huggins, chief human resources officer; and Joanne Rigon, executive director, executive liaison officer, national compensation services, human resources.
Once again, on behalf of the committee members and myself, we thank you for coming to meet with us today.
I'd like to thank the entire technical team and everyone who worked on this meeting, and I say goodbye to the members of the committee.
The meeting is adjourned.